Ha, ha. Well, let me clarify -- you're a director who’s making a multi-million dollar movie.

First, I would give him like a "mix tape" that has some ideas and musical flavors he might want to consider. Then I'd try to convince him that he'd have the freedom to write music with that kind of melody and creativity that composers did in the 30s, 40, and 50s. Then, during the spotting session, we'd talk more specifically on musical ideas, theme development, so forth. We'd abolish the temp track. And when that's all done, I'd put him in charge of the film dub, so the sounds effects and music would actually be level. What a concept, huh?